In this production, the protagonist, Ray, is plagued by the memory of his wife's death and seeks revenge. He rides the bus frequently to befriend a Black woman whom he attempts to bribe into helping him. In my designs, I didn't worry about verisimilitude. The play is highly theatrical; sliding through time and space, often overlapping. I used these points of convergence to my advantage; sometimes marking transitions with sounds from Ray's subconscious and sometimes bleeding the two soundscapes together.

Leaning further into the dream-play concept, I placed speakers on three levels: below the audience on three sides (built into the risers), above the audience in four corners, and at the top center of the theatre pointed directly down. These placements established where scene ended and where the next began. They also guided shifts in staging within scenes and to follow the attention of the actor playing Ray.